My first introduction to Catherine Fisher’s books was with The Conjuror’s Game, which I read as a preteen when I “worked” for the only bookstore in our town as a beta reader, helping the middle-aged owner select new children’s and YA books for the store. I was paid in books (probably a lousy deal, but I was over the moon at the time). Of the dozens of books I read for them, The Conjuror’s Game is the only one I’ve kept, and read several times. Catherine Fisher disappeared off my radar for a while, but, thanks to Google, when I discovered she had a new series available, I couldn’t wait to get reading.
I began reading Sherlock Holmes as a teenager and was so intrigued by the clever detective and his deductions that I moved onto other well-known Whodunit authors such as Agatha Christie and P.D James, and decided that this would be my genre as I began my apprenticeship as an author. While working through Blake Snyder’s Save the Cat, I decided to try my hand at adapting one of Sir Arthur Conan Doyle’s stories—The Valley of Fear—into a screenplay. It was a fascinating exercise, and gave me a lot of insight into story construction and characterisation.